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記得以前被教的時候都拿凡艾克來當練習曲, 其實這麼做事件很可惜的事情. 如果從樂曲上面先出發 即使在"練習'的時候也會有更多的想像力 本來凡艾克 先生的想像力就是無限, 問問幾個問題吧 曲子都是凡艾克先生寫的嗎 ？ 如果不是 那原來的曲子歌詞是什麼？ 故事是什麼？那在當時翻譯後的意思是什麼？ 怎麼唱？ 凡艾克先生 如果是個即興很棒的演奏家 他每次都吹的一樣嘛？ 凡艾克先生如果看不見東西 他怎麼記譜呢？.(取自十月笛場Chingwei Lin)
754 pages; full color; 362 music examples
"The monophonic music from Der Fluyten Lust-hof by Jacob van Eyck (c.1590–1657) is the stock-in-trade of professional recorder players worldwide. In the present book the repertoire is scrutinized from a variety of perspectives: sources, transmission, interpretation, and the boundaries between improvisation and composition, to name but a few. In order to place Van Eyck’s oeuvre in a broader context, the author has chosen to extend the scope of his research to include comparable works by Dutch contemporaries (Paulus Matthijsz, Jacob van Noordt, Johan Dicx and Pieter de Vois). The last four chapters focus on various aspects of performance practice."
754 pages; full color; 362 music examples
"The monophonic music from Der Fluyten Lust-hof by Jacob van Eyck (c.1590–1657) is the stock-in-trade of professional recorder players worldwide. In the present book the repertoire is scrutinized from a variety of perspectives: sources, transmission, interpretation, and the boundaries between improvisation and composition, to name but a few. In order to place Van Eyck’s oeuvre in a broader context, the author has chosen to extend the scope of his research to include comparable works by Dutch contemporaries (Paulus Matthijsz, Jacob van Noordt, Johan Dicx and Pieter de Vois). The last four chapters focus on various aspects of performance practice."
